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Noah Davis, Untitled, 2015, Oil on canvas. The Museum of Modern Art, New York. Gift of Marie-Josée and Henry R. Kravis in honor of Jerry Speyer’s 80th birthday, 2020 © The Estate of Noah Davis. Courtesy The Estate of Noah Davis and David Zwirner. Photo: Kerry McFate

Philadelphia Art Museum 2026: A Year of Vision

Engage the vision of the Philadelphia Art Museum 2026, from Van Gogh and Duchamp to Rocky and rising global voices in art.

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2026 at the Philadelphia Art Museum Begins with Noah Davis and Expansive American Visions

The Philadelphia Art Museum 2026 exhibition schedule launches with a profound tribute to the late Noah Davis. Running from January 24 to April 26, this landmark retrospective will be the final stop on a global tour that began in Germany and continued through London and Los Angeles. The exhibit includes more than 60 works and offers an intimate look at Davis’s visionary approach to painting, sculpture, and community curation before his untimely passing at the age of 32. Displayed chronologically in the Morgan, Korman, and Field Galleries, Davis’ works trace his multifaceted exploration of family, memory, American media, and architecture, moving fluidly between surreal, melancholic, and joyful moments rendered with unique emotional resonance.

Noah Davis, The Conductor, 2014, Oil on canvas. Glenstone Museum, Potomac, Maryland© The Estate of Noah Davis. Courtesy The Estate of Noah Davis and David Zwirner. Photo: Kerry McFate

From April 12, 2026, to July 5, 2027, the Philadelphia Art Museum 2026 schedule continues with “A Nation of Artists”—an unprecedented collaboration with the Pennsylvania Academy of the Fine Arts and the Middleton Family Collection. This exhibition is one of the largest presentations of American art ever staged in Philadelphia and reopens the museum’s renovated American Art Galleries. Covering three centuries of art, it stretches from Charles Willson Peale’s portrait of George Washington to powerful works by Rina Banerjee, Jaune Quick-to-See Smith, and Mickalene Thomas. It is a sweeping narrative of American creativity that reflects the nation’s evolving identity just in time for the U.S. Semiquincentennial.

Barkley L. Hendricks J. S. B. III, 1968 Oil on canvas, 48 x 34 3/8 inches (121.92 x 87.3125 cm) Gift of Mr. and Mrs. Richardson Dilworth

Philadelphia Art Museum 2026 Reflects, Reimagines, and Revisits Icons

Timed to the 50th anniversary of the “Rocky” film franchise, “Rising Up: Rocky and the Making of Monuments” (April 25 to August 2, 2026) confronts the evolving role of monuments in society. Curated by Paul Farber of Monument Lab, this exhibition, featured in the Dorrance Galleries, presents over 150 objects by more than 50 artists across 2,000 years. At its center is the story of the Rocky statue, a prop-turned-pilgrimage site, and its resonance as both a symbol of pop culture and a lightning rod for public memory. “Rising Up” will dissect how monuments are shaped by the people who create them and the communities that surround them—blending art, sport, politics, and place.

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Philadelphia, Rock Ministries Boxing Club, 2016, Alex Webb, American, born 1952

From June 6 to October 11, 2026, the Colket Gallery will bloom with “Van Gogh’s Sunflowers: A Symphony in Blue and Yellow”. Featuring two iconic sunflower canvases—one from August 1888 (London’s National Gallery) and the other from January 1889—this exhibit showcases Van Gogh’s obsession with color, composition, and emotional expression. Originally painted for Paul Gauguin’s bedroom in Arles, these works highlight Van Gogh’s masterful interplay of yellow and blue and offer rare side-by-side insight into his evolving technique and vision.

Rounding out the summer and fall is “Workshop of the World: Arts and Crafts in Philadelphia”, running July 5 to October 18, 2026. This showcase spotlights Philadelphia’s role in the Arts and Crafts movement after the 1876 Centennial Exposition. It will feature textiles from the Philadelphia School of Art Needlework, ceramics from Enfield Pottery, and handmade furniture by local legends such as Wharton Esherick and Samuel Yellin—each piece a celebration of handwork, honest materials, and the fight against industrialized uniformity.

Philadelphia Art Museum 2026 Celebrates Global Art, Local Impact

Fall at the Philadelphia Art Museum 2026 marks the opening of “Marcel Duchamp”, a comprehensive retrospective of the avant-garde pioneer, from October 10, 2026, through January 31, 2027. It’s the first North American survey of Duchamp’s work in over 50 years and features six decades of radical output—from Dadaist readymades to cinematic experiments and provocative installations. The museum, which boasts the largest Duchamp collection in the world, will present this historic tribute inside the Dorrance Galleries—offering both context and continuity to a figure who permanently altered the course of modern art.

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Untitled (Two Women in the Savannah) 1959-1968 (negative); 2025 (print), Oumar Ka, Senegalese (1930 – 2020) Gelatin silver print, 2025-37-3. Photo courtesy of Axis gallery.

Also opening in the fall are the long-anticipated “New Galleries for African and African Diasporic Art”. Designed by Frank Gehry Partners as part of the museum’s architectural expansion, these new permanent spaces—located in Fox Hall and the South Vaulted Walkway—will debut with an inaugural installation focused on the 20th century. Highlights include rarely exhibited works from the museum’s core collection alongside key loans and acquisitions that trace global Black identity through art, form, and cultural memory.

Closing out the Philadelphia Art Museum 2026 exhibition season, opening in December 2026, “El Anatsui: Prints in the Making” will present the first museum survey dedicated to the Ghanaian artist’s work in print. Known globally for his shimmering wall hangings made of bottle caps and other discarded materials, El Anatsui reimagines traditional media through innovative processes. This exhibit in the Morgan, Korman, and Field Galleries reveals how his experimental approach to materials extends into printmaking—offering visitors a chance to engage with a lesser-seen, but no less radical, side of his practice.

Stressed World, 2011, El Anatsui, Found aluminum and copper wire, 14 1/2 X 19 1/2 feet (overall dimensions), © El Anatsui. Courtesy of the artist and Jack Shainman Gallery, New York.

Together, the Philadelphia Art Museum 2026 exhibitions form a valiant and balanced vision for the year ahead—where historic retrospectives, revolutionary voices, and hometown heritage intersect to tell new stories through the lens of art.

Go. See. Art.


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